Abbare, V., Wunderkammer siciliana, alle origini del museo perduto (Palermo, 2001).
Alsop, J., The Rare Art Traditions: The History of Collecting and Its Linked Phenomena Wherever These Have Appeared (Princeton, 1981).
Babelon, E., Catalogue des camées antiques et modernes (Paris 1897).
Beck, H. et al., Antikensammlungen im 18.Jahrhundert (Berlin, 1981).
Beschi, L., "La scoperta dell’arte greca", in Memoria dell’Antico nell’Arte italiana, ed. S. Settis, volume 3 (Turin, 1986) 295-374.
Bober, P.H. and Rubenstein, R., Renaissance Artists and Antique Sculpture (Oxford, 1986).
Bonfante, L. (ed.), Etruscan Life and Afterlife (Warminster, 1986).
Bothmer, D. von, "Notes on Collectors of vases" in Wealth of the Ancient World, The Nelosn Bunker Hunt and William Herbert Hunt Collections (Ft. Worth TX, 1983) 37-44.
_______, "Greek vase-painting: two hundred years of connoisseurship" in Papers on the Amasis Painter and his World (Malibu CA, 1987) 184-204.
Brummer, H.H., The statue court of the Vatican Belvedere (Stockholm, 1970).
Burn, L., "Sir William Hamilton and the Greekness of Greek Vases", JhistColl 9 (1997) 241-252.
Cooley, A. (ed.), The Afterlife of Inscriptions (London, 2000).
Cutler, A., "The De Signis of Nicetas Choniates. A reappraisal", AJA 72 (1968) 113-118.
_______, Byzantium, Italy and the North (London, 2000), especially chapter xi, From Loot to Scholarship: Changing Modes in the Italian Response to Byzantine Artifacts.
Favaretto, I., Arte antica e cultura antiquaria nelle collezioni venete al tempo della Serenissima (Rome, 1990).
Fusconi, G., I Giustiniani e l’Antico (Rome, 2001).
Grafton, A. et al., Collectors, Collections, and Scholarly Culture (New York, 2000).
Greenhalgh, M., The classical tradition in art (London, 1978).
Grummond, N. de (ed.), An Encyclopedia of the History of Classical Archaeology (Westport, CT, 1996).
Haskell, F., Rediscoveries in art: some aspects of taste, fashion and collecting in Britain and France (London, 1976).
________, "The British as collectors" in G. Jackson-Stops (ed.), The Treasure Houses of Britain (New Haven and London, 1985).
________, History and its Images, Art and the Interpretation of the Past (New Haven and London, 1993).
________, The Ephemeral Museum (New Haven and London, 2000).
________, and Penny, N., Taste and the Antique, the lure of classical sculpture 1500-1900 (New Haven and London, 1981).
Hermann, F., The English as Collectors (London, 1972).
Holst, N. von, Creators, Collectors and Connoisseurs (New York, 1967).
Hülsen, C., Römische Antikengarten des XVI Jahrhunderts (Heidelberg, 1917).
Impey, O., and Macgregor, A. (eds), The Origins of Museums (Oxford, 1985).
Isager, J., Pliny on Art and Society, The Elder Pliny’s Chapters on the History of Art (Odense, 1991).
Jenkins, I. And Sloan, K., Vases and Volcanoes, Sir William Hamilton and his Collection (London, 1996).
Jentel, M-O, "Les techniques de copie des intailles en France au début du xviii siècle", in L’Empire de Mars et des Muses, la collection du marquis de Calvière (Avignon, 2002).
Kurtz, D., The Reception of Classical Art in Britain (Oxford, 2000).
Laurens, A-F, and Pomian, K. (eds.), L’Anticomanie. La collections d’antiquities aux xviii and xix siècles (Paris, 1992).
Lezzi-Hafter, A. et al., Auf klassischem Boden gesammelt, Antike Welt 11 (1980)
Lyons, C., "The Museo Mastrilli and the culture of collecting in Naples, 1700-55", JhistColl 4 (1992) 1-26.
________, "The Neapolitan context of Hamilton’s antiquities collection", JhistColl 9 (1997) 229-239.
MacGregor, A. (ed)., The Late King’s Goods (London and Oxford, 1989).
Mango, C., "Antique statury and the Byzantine beholder", DOP 17 (1963) 55-75.
Mauries, P., Cabinets of Curiosities (London, 2002).
Michaelis, A., Ancient Marbles in Great Britain (Cambridge, 1882).
Morán, J.M. and Checa, F., El coleccionismo en España, de la cámara de maravliias a la galleria de pinturas (Madrid, 1985).
Müntz, E., Les antiquités de la ville de Rome au XIVe, Xve et XVIe siècles (Paris, 1886).
_______, Les collections des Médicis au Xve siècle (Paris, 1888).
Norskov, V., Greek Vases in New Contexts, the collecting and trading of Greek vases – an aspect of the modern reception of antiquity (Aarhus, 2002).
Pastor, L., The history of the popes from the close of the middle ages (London, 1891-).
Pietrangeli, C., The Vatican Museums (Vatican, 1993).
Pollitt, J., "The impact of Greek art on Rome", TransAmPhilSoc 108 (1978) 155-174.
Pomian, K., Collectionneurs, amateurs et curieux, Paris- Venise, xvi-xviii siècle (Paris, 1987).
Ridley, R.T., The eagle and the spade (Cambridge, 1992).
Rowland, B., The classical tradition in western art (London, 1981).
Rumpf, A., Archäologie (Berlin, 1953).
Schaer, R., L’invention des musées (Paris, 1993)
Schlosser, J. von, Les Cabinets de merveilles (forthcoming).
Schnapper, A., Le Geant, la Licorne et la Tulipe, Collections et collectionneurs dans la France du xvii siècle (Paris, 1988).
Settis, S., Memoria dell’antico nell’arte italiana volumes 1 (Turin, 1984) and 3 (1986).
Syson, L. and Thornton, D., Objects of Virtue, Art in Renaissance Italy (London, 2001).
Taylor, F.H., The Taste of Angels. A History of Collecting from Ramases to Napoleon (Boston and London, 1948).
Thomson, D., "The letters of James and William Tassie to Alexander Wilson 1778 to 1826", Walpole Society 65 (2003) 1-87.
Thornton, D., The Scholar in his Study, Ownership and Experience in Renaissance Italy (London, 1997).
Tsingarida, A. and Kurtz, D., Saisir l’antique (Brussels, 2002).
Vermeule, C.C., European Art and the Classical Past (Cambridge, MA, 1964).
Weiss, R., The Renaissance Discovery of Classical Antiquity (Oxford, 1969).
Wilson. N., From Byzantium to Italy, Greek Studies in the Italian Renaissance (London, 1992).
Archaeology
Boardman, J., The Archaeology of Nostalgia (London, 2002).
Flashar, M. (ed.), Europa à la grecque 1768 - Vasen machen Moden (Munich, 1999).
Jenkins, I., Archaeologists and Aesthetes (London, 1992).
Norskov, V., Greek Vases in New Contexts (Aarhus, 2002).
Schnapp, A., The Discovery of the Past (London, 1996).
Tsigakou, F-M., The rediscovery of Greece: travellers and painters of the Romantic era (New Rochelle, NY, 1981).
'Cultures of collecting' (theory: anthropology, psychology)
Elsner, J. and Cardinal, R., The cultures of collecting (London, 1994).
Pearce, S., On collecting : an investigation into collecting in the European tradition (London, 1998). The collecting cultures series.
________, The Collector’s Voice, vols 1-4 (Aldershot, 2000-2002).
