Studies in the History of Collections
Edited by John Boardman, Christopher Brown, Arthur MacGregor and Peter Stewart, Studies in the History of Collections is a new and innovative series embracing art and science, the antique and post-antique, east and west, old world and new. It is being published in two forms. The first, under the imprint of British Archaeological Reports (published by Archaeopress) is in their standard format; the second, under the joint imprint of Archaeopress and the Beazley Archive, is hard-bound. The large (A4) format, rich in images, aims to make subjects accessible to a broad spectrum of readers.
Authors who would like their work to be considered for the series are invited to contact SHC@maillist.ox.ac.uk. The Editors will wish to see a hard copy of the text and images. They will consult an International Refereeing Committee. Authors whose work has been accepted will be given an electronic format by email. They will be responsible for the preparation of their text and images according to this format.
Greek Vases in the Imperial Hermitage Museum: The History of the Collection 1816-69
with Addenda et Corrigenda to Ludolf Stephani, Die Vasen-Sammlung der Kaiserlichen Ermitage (1869)
by Anastasia Bukina, Anna Petrakova and Catherine Phillips
xvi+317 pages, Index, b/w and colour illustrations.
The Hermitage Museum in St Petersburg has one of the world’s great collections of Greek vases. In addition to the numerous vases and fragments found on Russian territory, it includes those found in Italy and acquired directly or purchased from other collectors, most notably the Marquis Campana, Antonio Giuseppe Pizzati and Countess Laval. The history of this part of the Hermitage collection of vases has never before been told in full. Taking Ludolf Stephani’s catalogue of 1869, Die Vasensammlung der Kaiserlichen Ermitage, as a starting point and studying a vast body of previously ignored archive documents, the authors (two of them curators of Greek vases in the Hermitage Museum) follow the formation of the collection up to 1869, establishing its sources and identifying a number of previously under-estimated or ignored Russian collectors of antiquities. The Hermitage collection is set not only within the Russian cultural context but within the wider picture of a pan-European interest in antiquities and their display. Since Stephani’s catalogue is still the main source for scholars of vases and vase collections, the book includes a valuable list of addenda and corrigenda to the provenances he provides for vases from private collections (those found during excavations on Russian territory are largely correct).